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7
7-10 Adobe Photoshop
It is often better to select the Black Point Compensation option. With many ICC
profiles, this check box has no effect. However, when it does, it has a dramatic effect on
the dark areas of your image. If you want this effect, leave Black Point Compensation;
if not, clear the selection.
ColorSync defaults
You should have ColorSync 2.5.x or later installed on your Mac OS computer. The
ICC profiles used by ColorSync are saved in System Folder:ColorSync Profiles. From
the Apple menu, choose Control Panel>ColorSync.
Use the following settings:
• System Profile—choose the customized ICC profile for your monitor. Set up the
Adobe Gamma profile to ensure that your monitor profile is present (Mac OS only).
• RGB default—choose the same RGB working color space you set in Photoshop 5.x.
NOTE: The System Profile is the same one used in your monitor calibration and your
Monitors and Sounds control panel.
• CMYK default—choose the same CMYK color space you set in Photoshop 5.x.
• Preferred CMM—choose LinoColor CMM (both ColorSync 2.0 and Microsoft
ICM 2.0 are based on this color management module).
- Fiery 3850C 1
- Contents 7
- Chapter 3: Color Calibration 8
- About the documentation 13
- Introduction 13
- Key features of ColorWise 14
- Rendering styles 20
- RGB Source Profile 21
- CMYK Simulation Profile 22
- Output profile 22
- Pure Black Text/Graphics 23
- Black Overprint 24
- Spot Color Matching 25
- What a printer driver does 27
- Click the ColorWise menu 29
- Click the Expert Settings 30
- ColorWise options 30
- Choose Color Matching from 34
- Choose Color/Grayscale 34
- Workflow concepts 37
- Chapter 2: 37
- Simple and 37
- Advanced 37
- Workflows 37
- RGB, CMYK, and PANTONE colors 38
- Simple workflows 39
- Select a short workflow 40
- 2-5 Simple workflows 41
- Advanced workflows 43
- Select Copier CMYK Sim.: None 44
- 2-9 Advanced workflows 45
- 2-11 Advanced workflows 47
- Color proofing examples 49
- ColorWise Pro Tools 50
- 2-15 Advanced workflows 51
- Chapter 3: 53
- Color Calibration 53
- Understanding calibration 54
- How calibration works 55
- Scheduling calibration 56
- Checking calibration status 57
- Limits and 30% Match 57
- Gray Balance 58
- Using a spectrophotometer 59
- 3-8 Color Calibration 60
- 1. Turn off the computer 60
- 3-9 Using a spectrophotometer 61
- 3-10 Color Calibration 62
- 6. Turn on the computer 63
- O CALIBRATE THE X-RITE DTP41 64
- 3-14 Color Calibration 66
- 8. Click Utilities 66
- 9. Click Calibrate DTP-41 66
- When finished, click Done 67
- 3-16 Color Calibration 68
- 13. Click Done 68
- 2. Click Calibrator 69
- Print Options window for 71
- DTP41 calibration 71
- 3-20 Color Calibration 72
- 12. Click Read Strip 73
- 3-22 Color Calibration 74
- Click Apply 75
- Click Restore Device 76
- Using a densitometer 77
- 3-26 Color Calibration 78
- Unused connector 79
- Connect to serial port 79
- AC adapter 79
- Small connector 79
- MAIN MENU 80
- 3-32 Color Calibration 84
- Expert Mode 87
- 3-36 Color Calibration 88
- Profile Manager 89
- Chapter 4: 89
- ColorWise 89
- Pro Tools 89
- Setting the default profiles 91
- 4-4 ColorWise Pro Tools 92
- 4. Click OK 92
- Downloading profiles 93
- Editing profiles 94
- Managing profiles 95
- Defining profiles 96
- 4-10 ColorWise Pro Tools 98
- Color Editor 99
- IN CUSTOM MODE 100
- 4-13 Color Editor 101
- 4-14 ColorWise Pro Tools 102
- 4-15 Color Editor 103
- Undoing simulation edits 104
- Checking edited profiles 106
- Color Setup 107
- 4-20 ColorWise Pro Tools 108
- Working with color 109
- Chapter 5: 109
- Working with 109
- Color in 109
- Applications 109
- Color reference pages 110
- Office applications 111
- PostScript applications 113
- 25 50 75 114
- Default output profile 115
- CMYK simulation 115
- Chapter 6: 117
- Output profiles 118
- Specifying color settings 119
- Chapter 7: 119
- Photoshop 119
- 7-2 Adobe Photoshop 120
- 2. Select Advanced Mode 120
- Photoshop 5.x 122
- 7-5 Photoshop 5.x 123
- 7-6 Adobe Photoshop 124
- 7-7 Photoshop 5.x 125
- 7-8 Adobe Photoshop 126
- 7-9 Photoshop 5.x 127
- ColorSync defaults 128
- Defining colors 129
- 7-12 Adobe Photoshop 130
- 7-13 Photoshop 5.x 131
- 7-14 Adobe Photoshop 132
- 7-15 Photoshop 5.x 133
- 7-16 Adobe Photoshop 134
- Photoshop 4.x 135
- 7-18 Adobe Photoshop 136
- 7-19 Photoshop 4.x 137
- 7-20 Adobe Photoshop 138
- 7-21 Photoshop 4.x 139
- Chapter 8: 141
- Page Layout 141
- Importing images 142
- PageMaker color settings 143
- Windows version requirement 144
- 2. Click Options 145
- 8-10 Page Layout Applications 150
- Chapter 9: 151
- Illustration 151
- Specifying print options 153
- 9-4 Illustration Applications 154
- Choose Composite 158
- Choose PostScrip 158
- FreeHand color settings 159
- Do not select to use 164
- Fiery 3850C Color Management 164
- The properties of color 165
- Appendix A: 165
- Desktop 165
- Color Primer 165
- CIE color model 166
- A-3 Desktop Color Primer 167
- A-4 Desktop Color Primer 168
- Printing techniques 169
- Using color effectively 170
- A few rules of thumb 171
- Color wheel 171
- Color and text 172
- A-9 Desktop Color Primer 173
- Resolution of raster images 174
- A-11 Desktop Color Primer 175
- A-12 Desktop Color Primer 176
- Controlling printed color 177
- Appendix B: 177
- Management 177
- Print device gamut 178
- Basics of color management 179
- Color conversion 180
- Appendix C: 181
- Importing 181
- Densitometer 181
- Measurements 181
- Glossary 185
- G-2 Glossary 186
- G-3 Glossary 187
- G-4 Glossary 188
- G-5 Glossary 189
- G-6 Glossary 190
- G-7 Glossary 191
- G-8 Glossary 192
- Bibliography 193
- Numerics 195
- A-5 to A-6 197
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